I think the series so far is fabulous! I love many of the individual drawings, particularly the gestures and close ups of Jenny. The different spaces that you occupy from inner anxieties to more public spaces are terribly telling for us who are coming closer to the edge. And through each episode and each panel your honesty, your toughness and refusal to succumb to sentimentality. Phoebe's color has become increasingly luminous and you both harmonize perfectly. Thank you!!!
Daisy! Magnificent work! "When We Are Seen" might be my favorite so far. Really great posing, staging, backgrounds...everything! The drawing continues to remind me of Foolbert Sturgeon's New Adventures of Jesus. Well done!
I think the series so far is fabulous! I love many of the individual drawings, particularly the gestures and close ups of Jenny. The different spaces that you occupy from inner anxieties to more public spaces are terribly telling for us who are coming closer to the edge. And through each episode and each panel your honesty, your toughness and refusal to succumb to sentimentality. Phoebe's color has become increasingly luminous and you both harmonize perfectly. Thank you!!!
ReplyDeleteHow do I publish my name along with the comment? I have indicated 'Comment as: paulstopforth04 but 'uknown' is who I appear to be.
ReplyDeleteThe comment i.d. section is a little weird. The easiest way to indicate who is commenting is simply to include your name in the comment itself.
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ReplyDeleteDaisy! Magnificent work! "When We Are Seen" might be my favorite so far. Really great posing, staging, backgrounds...everything! The drawing continues to remind me of Foolbert Sturgeon's New Adventures of Jesus. Well done!
ReplyDelete— Jason.
Also top tier page 1 reminds me of Harvey Kurtzman's use of the zooming camera in "Corpse on the Imjin".
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